• This website includes dozens of videos, hundreds of essays, and thousands of drawings created over the past twenty years. Search to learn more about the history of buildings, places, prisons, Newark, New York City, and my PhD research on spatial inequality.

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New Jersey Meadowlands

The New Jersey Meadowlands, nestled between New York City and Newark, is a strange sort of in-between zone. It belongs neither to nature nor to man. The grasslands and birds of nature are abundant. So, too, are the derelict factories and warehouses. The unwanted detritus of civilization is cast off into the Meadowlands, ranging from garbage piles to noxious-smelling industries.
Millions of commuters to and from the suburbs to New York City pass through this region of indeterminate identity. Many look out the windows of passing trains, planes, and cars. Yet few care to observe the lapping tides and bizarre beauty of this unwanted strip of land. These views show various scenes from my daily train ride through the Meadowlands between Newark Broad Street and Hoboken Terminal.

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When dinosaurs take over New York City at night

In the New York City of my imagination, dinosaurs emerge from the Museum of Natural History to prowl “the city that never sleeps.” They roam the streets engaging in dinosaur-like activities: scaring people, stealing from butcher shops, and terrorizing the skyline. For one night, the city belongs to them.

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My little neighborhood in Downtown Newark

Washington Park in Downtown Newark

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Newark Model SmallLeft to right: Broad Street Station, Polhemus House, YWCA Building, Newark Museum, Ballantine House,
Second Presbyterian Church, American Insurance Company, Newark Public Library

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When I examine old pictures of my neighborhood in Newark’s archives, I realize that so much of my city’s built environment has vanished. This trend will continue, as it does in most cities where old buildings outlive their use. If not in the form of my city’s physical destruction, this loss is in the form of my gradual loss of childhood memories. To reconcile this, I built the below model as my own souvenir. This keepsake will forever remind me of my Newark identity.
The landmarks depicted are selected from my neighborhood and include my childhood home. The buildings are drawn with ink and pastel on thick paper, which is then cutout to form a two-dimensional silhouette. The trolleys travel back and forth down the street and are magnetically operated by a crank and hidden string beneath the street. The tracks guide the trains up, down, and into the tunnel. These trolleys are modeled on those that used to exist in Newark, long before my time here.
Perhaps, this models presents a more romanticized and idealized Newark than the city that actually exists.

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New York City in Miniature

The impressive range New York’s architecture, from the humblest home to the slenderest tower, powers my inspiration to create. I aim to capture my perceptions of the bustling city through art.
With a base measuring 28 by 36 inches, I built this model in summer 2014 of wood, paper, and plastic. It contains several dozen of the city’s landmarks, skyscrapers, people, lampposts, subway stations, and a bevy of operating subway cars. Whenever I glance at my tiny creation, I rejoice in knowing that my love of New York is within the breadth of my arms.

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Animation of New York City in miniature

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Animation of one day in the New York City subway

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The chaotic city passes me when riding the NYC subway. It is a whirlwind of colorful peoples, buildings, and cultures. Each new turn of the creaking screeching train reveals new sights. At each new tunnel, there is the always the waiting for the burst of light at the end. And then, there is always the expectation of the next journey.

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NYC collage small

 

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Paper cutouts

Like origami, these flat sheets fold into the shapes of three-dimensional landmarks.

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Political Cartoons

The following images are political style cartoons about nationalism, fascism, and communism. They are drawn in the pedantic and high-contrast style of propaganda images from the Soviet Union. The rigid use of geometry and symmetry is intentional to communicate the oppression these regimes stand for.

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McDonald’s Fast Food Slaughter Machine

This image is inspired by H.G. Wells’ 1895 book The Time Machine. H.G. Wells describes two worlds. The world above is a peaceful garden and amusement park full of naïve residents. Monsters live in the dark world below of tunnels, machines, and the equipment that sustains the aboveground garden. In my rendition of H.G. Wells’ story monsters emerge at night with their nasty machines to harvest people for “USDA approved grade A” burger patties.

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A Goliath made of corporate logos fights a tiny David dressed as Uncle Sam.